ChoNam-Joo; transl., Jamie Chang , 2016 (2020, U.S.) Liveright Publishing. 176 pp. ISBN-13: 9781631496707. Summary. A fierce international bestseller that launched Korea's new feminist movement, Kim Jiyoung, Born 1982 follows one woman's psychic deterioration in the face of rigid misogyny. Truly, flawlessly, completely, she became that person. 17พ.ย. 2020 - พินนี้ค้นพบโดย Gong Yoo, Wookie & Bummie ค้นพบ (และบันทึก!) พินของคุณเองใน Pinterest Thebook is structured to imitate the life story of everyday, ordinary women. In fact, the author claimed writing Kim Jiyoung, Born 1982 came easy to her because the fictional character's life isn't much different from the one she has lived. It's hard to call Kim Jiyoung a character or a particular character. GongYoo (Actor) | Jung Yoo Mi (Actor) | Kim Mi Kyung (Actor) | Park Sung Yeon (Actor) * Release Date : 2022-01-19 * BLU-RAY Region : A / Subtitle : Korean, English * Please select wisely because this item cannot be canceled nor refunded once purchased. Kim Ji-Young , Born 1982 BLU-RAY. columbia womenx27s suttle mountain Thebook was hailed as one of the most important feminist novels in Korean - but also led to outcry. KimJiyoung Born 1982. Gong Yoo plays Jung Dae Hyun Ji-Youngs caring husband. Based on the million-seller novel of the same name by Cho Nam-joo it was released on October 23 2019. Kim ji young born 1982 book ending explainedhow to get tenant name in azure using powershell kim ji young born 1982 book ending explained. Waddle duck stop quacking. . 9/10 Bravo for the actor and actress for a tremendous storyline movie This storyline is really tremendous and its although not the one of the top best of my favourites but it indeed already caught my attention of a well made movie from the director, acting team and well written story. This definitely deserve to be on one of the top movies in Korea between 2019 and 2020. This story also touches the real society in Korea and a lot of advance countries too share the same problems. From my knowledge, a lot of countries are far worse on these problems. Gender discrimination is so huge and either worse than or comparable to racism or religion differences. This movie reminds us man to be more mature and to accept those females challenges. As a male, I admit that I always see that males use sex differences to avoid competition with the females. Males can be jealous, anxious and desperate as the females because we are all humans too. 13 out of 13 found this helpful. Was this review helpful? Sign in to vote. Permalink 9/10 Speak for girls. It is said that after the publication of the novel and the release of the film, the majority of south Korean men still launched an endless online abuse and boycott, so it is conceivable that in Asia, the status of women is so low that even though some people have awakened, most people still feel accustomed to rights are not just a "METOO" movement. They are needed in every aspect of society, from the home to the hope everyone, women can speak for themselves, and men can speak for women, as a talk show host urged on the program if you keep silent and think it's not your business, then you are an accomplice. 35 out of 37 found this helpful. Was this review helpful? Sign in to vote. Permalink 10/10 Me2 This novel cause anger which most of the people try to stop the movie showing and curses the actress because of ego pride. It's contain the real life of what woman is facing who the man refusing to admit or don't talk about it. Gender discrimination happen every where but it is very serious in Asia because of last time ancestors stupidity teaching. It's hidden message contain about gender equality is everywhere if u observe well. Great performance by all the actors especially the mother acting is touching when.... 22 out of 24 found this helpful. Was this review helpful? Sign in to vote. Permalink 9/10 You gotta watch it I like this movie. Cinematic wise, it was awesome. Beautifully captured. Story wise, this was one hidden-gem just like The Parasite Movie another must-watch Korean Movie.I think the story depicted on how 'woman' perceived in the Korean society/ Asian culture. It highlights several social issues for woman career, dream, self-dependent, social/peer pressure, social expectation of 'what a good wife/good woman should be/act by presenting us the life of Kim Ji-Young, young wife lived with her little daughter and the story,the characters in it overcame the issues in quite realistic way that maybe some of us can relate to our actual life. After watching it, I feel empowered and satisfied. 25 out of 28 found this helpful. Was this review helpful? Sign in to vote. Permalink 8/10 An optimistic yet realistic story The movie was beautiful. although it was a bit slow-paced, there were a lot of touching moments. throughout the movie you'll find yourself rooting for kim ji-young as she struggles to find herself in the midst of criticisms from her mother in-law. the movie was hopeful, but also had a realistic ending. as a woman myself, i felt very inspired after watching this. 20 out of 22 found this helpful. Was this review helpful? Sign in to vote. Permalink 8/10 A decent movie A realistic movie drawing attention to full time mothers' psychological and lifestyle changes after getting married and giving birth in Asian countries. A touching story with great actors, worth watching. 16 out of 20 found this helpful. Was this review helpful? Sign in to vote. Permalink 9/10 Must watch Korean Movie It is true that the pace of the movie is slow with the very very light topic. However it is really happening arround us. The gender discrimination, pressure from parents, family and family in law versus our needs, dreams and today's life. As light as the topic, this kind of issue rarely being disccuss on public, then the person who have the problem need to find out by them self without support from the inner circle or the worse they don't even know it Every single of us having our own trouble, and there's no one else can stepping our shoes tho? Then why spending energy go hurt others? 19 out of 22 found this helpful. Was this review helpful? Sign in to vote. Permalink 8/10 Motherhood is it an easy feat? 'Kim Ji-Young, Born 1982' is based on a fiction novel by Cho Nam-joo that was published in October 2016. Cho only took two months to write the novel as the character's life relates to her own life. She mentioned that "Kim Ji-young's life isn't much different from the one I have lived. That's why I was able to write so quickly without much preparation."The novel is a critique of the patriarchal system that is still very much alive in South Korea's women's lives that depicts what happens from childhood to adulthood after marriage. The lead actor Gong Yoo and actress Jung Yu-mi were brilliant in the film. Even from the opening scene, we can already sense the tension in this film. This film would like to also show how being a stay-at-home mother is never an easy feat. Everyone will have a desire to accomplish things outside private life, however, this is easier for men than it is for women. A secret that is often kept secret is the fact that most women go through depression while trying to be a good mother. This film explored that taboo subject. 13 out of 16 found this helpful. Was this review helpful? Sign in to vote. Permalink 8/10 for everyone in the world Warning Spoilers "Jin Zhiying Born in 1982" describes a Korean woman born in 1982, who lived to speak in the tone of her mother and school sister in 2019, bringing out the whole story. And Jin Zhiying is the name of the Korean vegetable market, so it also has the meaning for all "Jin Zhiying". I am interested in this movie because I read this book before the movie was released, but because the chronology in the book is interspersed, and not only the heroine Kim Ji-young, but also the story of her mother, plus I am intermittently Reading this book, it is easy to forget the details or the plot in front, so I didn't understand the chronology of the book very well at the time. After watching the video, I did clarify a lot of things that I didn't understand, although the movie has some plot adaptations. The female's name became someone's wife and the child's mother. This is the plot that I most impressed when I was reading a novel. I don't know when Jin Zhiying's name became Mrs. Zheng and Mother Yaying. Every night at 8 o'clock in the evening, all the people waiting for the garbage truck under my building are women, of course there are also men, but the ratio is about eight to two, and women are called Mrs. Wang, Mrs. Chen..., so I am right This part is quite impressive. Also, when Zhiying was pregnant, Dae-hyun said to her, "Giving birth to a child will not change anything." Later, when Dae-hyun saw that Ji-young was tired, he said to Ji-young, "I will help you with housework" and "Mom". The clips are the clips in this movie that I was surprised and didn't believe ?. But one of the scenes that impressed me the most was the part where Jiyoung's face was radiant when he got better at the end. His skin changed from the original wrinkle to luminous, and his eyes became piercing and piercing. The angle of light just made Jiyoung. Standing in the bright place of the bed curtain, with the circle in slightly from the bottom up, I think this is probably the most successful scene of this movie. There is no gorgeous mirroring and editing in the movie, and even the soundtrack has only one song, but this can make it closer to our daily life without losing the standard of the movie. The two protagonists always mentioned the word ordinary when they were interviewed. I hope this movie can give people comfort and reflect on family, parents... and other issues that are usually not taken into the plots presented in this movie are all possible and happening, and they are all examples of what happened to my mother or my side, so I don't think the movie is too deliberately arranged, but Koreans are required to receive and Acknowledging that this is a big challenge for them related to nationality, and that the film vilifies men. And South Korea's patriarchal society, coupled with deteriorating feminists and some misogynistic people, made Zheng Youmei and Kong Liu no less opposed than supporting voices when the news of the movie came out. Social software also used a lot of offensiveness. watching the movie, I thought about whether this is considered a South Korean film to be transformed into justice ? 5 out of 5 found this helpful. Was this review helpful? Sign in to vote. Permalink 9/10 A novel driven movie discuss about how bias can grow among society The movie itself had widely discussed in Korea. And yet even in other Asian countries may sense similar feelings as most agricultural economy driven countries treat differently boys to girls. Even raised as kids, we sense the difference. Moms never come to dinning board and always buried in preparation of breakfast, lunch, dinner and tones of dishes. The movie generate discussion around women's right and how bias grown among society. Even today, our elder generation may still press by their old thoughts against young ones. Not only work, raising kids, mental health will you find in the movie but also how those small events trigger deep sorrow and emptiness in a mom. Worth watching and discuss how to treat people around differently without unconscious bias. 8 out of 9 found this helpful. Was this review helpful? Sign in to vote. Permalink 10/10 Love the ending Just fall in love with this movie. I really like gong yoo role here, eventho Im not married but I wish I can be like gong yoo character in the future. Bestttt 6 out of 7 found this helpful. Was this review helpful? Sign in to vote. Permalink 6/10 The lot of a wife and mother Some issues here are quite novel for a movie. Not an easy movie to watch but illuminating. She has a beautiful daughter and a nice husband. So why is she depressed? Her career was given up for that. Her mother in law expects her to just cook and look after the baby. Her husband is supportive and so is her mother. She even has a job offer to return to work. But she is depressed. Not terrible life threatening problems but real issues that every woman faces after having a child. Not sure about the conclusion. Wish things had been more definitive. 6 out of 23 found this helpful. Was this review helpful? Sign in to vote. Permalink 8/10 Cinema Omnivore - Kim Ji-young Born 1982 2019 "Kim's directorial guideline is in accord with a recognizable day-to-day urban view without much specificity - occasionally warm light shots through and soft-focus pleasantness takes hold, and munificently permits actors to perform for all they are worth. Among which, Jung Yu-mi fully lives up to or even surpasses one's expectation as Ji-young, turbulence flows and ebbs underneath her docile comportment with such exquisite potency. Holding Ji-young's dignity intact, Jung registers chronic sufferance with piercing empathy and devastating impact, her excellence reaches its crashing crescendo during the key sequences with cracking screen partners like Gong Yoo, who voluntarily plays the second banana with beguiling benevolence, and Kim Mi-kyung, who plays Ji-young's hardworking mother and whose outpourings are roundly soul-shattering."read my full review on my blog Cinema Omnivore, thanks. 0 out of 2 found this helpful. Was this review helpful? Sign in to vote. Permalink 10/10 Wholesome & Meaningful This was such a wholesome and meaningful movie. I loved how this movie covered topics like gender roles, gender inequality, and things that women struggle with in our current society. This film was able to cover all those topics accurately, but not in an aggressive way. The acting was phenomenal too, I cried so much in one of the scenes because the acting made the scene much more realistic and believable. I loved the wholesome moments as well as it reminded me of family and friendships. More films like this would be great to spread awareness one situations like this, just like how this movie so perfectly did. 0 out of 0 found this helpful. Was this review helpful? Sign in to vote. Permalink 5/10 Meh Warning Spoilers Slow paced movie with no intense climax. Just a regular psychological case with no deep approach. Nothing climax,the storyline is easy to guess.. The pace becomes much much faster at the end with no further detail stories and of course, no surprise. 11 out of 55 found this helpful. Was this review helpful? Sign in to vote. Permalink A review of Cho Nam-joo’s Kim Ji-young, Born 1982 I’ve had this book for over a year, but I finally got the chance to sit down and finally read it. I’d heard a lot about it, because there was a movie starring the ever-so-famous Gong Yoo, and because it stirred an entire feminist debate in the country, one that exposed the misogyny rooted in Korean history. As I read it, I had many different thoughts about what was going on, and I was honestly kind of conflicted about the hype around this book. I see why it’s an important novel in the grand scheme of things, but I also wanted more from it. Purchase a copy of the book break this down by category. Book BlurbIn a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A thirtysomething-year-old “millennial everywoman,” she has recently left her white-collar desk job—in order to care for her newborn daughter full-time—as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws Jiyoung impersonates the voices of other women—alive and even dead, both known and unknown to her. As she plunges deeper into this psychosis, her discomfited husband sends her to a male a chilling, eerily truncated third-person voice, Jiyoung’s entire life is recounted to the psychiatrist—a narrative infused with disparate elements of frustration, perseverance, and submission. Born in 1982 and given the most common name for Korean baby girls, Jiyoung quickly becomes the unfavored sister to her princeling little brother. Always, her behavior is policed by the male figures around her—from the elementary school teachers who enforce strict uniforms for girls, to the coworkers who install a hidden camera in the women’s restroom and post their photos online. In her father’s eyes, it is Jiyoung’s fault that men harass her late at night; in her husband’s eyes, it is Jiyoung’s duty to forsake her career to take care of him and their child—to put them painfully common life is juxtaposed against a backdrop of an advancing Korea, as it abandons “family planning” birth control policies and passes new legislation against gender discrimination. But can her doctor flawlessly, completely cure her, or even discover what truly ails her?Content/PlotKim Ji-young is the main character of this novel, and we follow her throughout how she got to be the way she is in the modern era. She was born in an uneventful household, but there was blatant favoritism in the house towards the youngest son. We follow Ji-young from the eras of her life, from childhood, her being bullied in middle school, to college, then to her job at a small marketing firm, then her married life where she quits her job to be a stay-at-home mom. We’re clearly meant to sympathize with Ji-young, because we start out with her being a depressed mother who is embodying the spirits of the women in her past. She is sassing her in-laws in Busan, but she is also has just given up towards her situation. It’s really sad, and if you don’t get it, you don’t get it. This is the situation of women not only in Korea, but throughout the world. We follow her throughout her life. That’s basically the novel. She is a kid bullied by the boy who likes her, she goes to college to study marketing, struggles to break into the workforce because of her gender. We have a bunch of statistics and studies cited in classic Chicago style at the bottom of the pages, giving us as readers a glimpse into the reality of the situation. This isn’t just fiction. This is the story of many women throughout Korea. Characters Kim Ji-young, in my opinion, is quite a universal character, despite the novel’s Korean context. She is a depressed mother who has quit her job in order to care for her newborn daughter, and, suddenly, she finds that her life lacks a purpose upon quitting her job. We get such a hyper focus on Ji-young, one that made me a bit sad and frustrated at times. I was really interested in her sister because she gave up on her dreams of broadcast journalism in order to become a teacher, which is what her mother had pushed her towards. Ji-young and her mother, in the novel, claim that this is because this is truly what her sister wanted. But is it really? We don’t hear much of her siblings outside of the childhood arc, and I wanted to know more about them. I also wished we saw more of Jung Dae-hyun, Ji-young’s husband. Story-wise, we jump from her dating several different men, then we randomly are placed into a scenario where she is engaged to Dae-hyun. Dae-hyun, too, is clearly an important part of her life, but we don’t get to see their meeting, and he obviously cares somewhat, as he took her to a psychiatrist. Writing Style As for overall structure, this is set up in the basic three-arc structure, and it is previous obvious from the way the novel itself is formatted. We start the beginning of the novel from the current era, as Ji-young seems to embody the women from her past and lash out against the patriarchal figures in her life. This is in third-person omniscient narrator, which is why we get such a focus on Ji-young as a character. We are tracking her throughout her life, and we get a small glimpse into her head, but, as a character, we only really get to see her fleshed out as an individual. That really got to me, because while I do love how we get a little bit about the female office manager or the friend she had in college, I wanted it to go deeper. We get one woman’s life, but there are so many other stories she herself is shielded from. Like what if Ji-young had more meaningful dialogue about all of this? Speaking of dialogue, there was very little of it throughout the novel. I found that super interesting as a writer, because often we are told that dialogue is a necessity to continue. Something I also found really interesting was the incorporation of actual statistics and studies from academic studies about the status of women in Korea. As a researcher myself, I appreciate it, but if I were a casual reader, I’m not too sure if that would’ve made sense in the placement of the novel. It’s something we’re not used to as readers, I feel like. I also was confused at the ending—we switch to the psychiatrist’s POV in first person. That really confused the heck out of me, and it was a struggle to get through it, because, for the first time, we get a man’s thoughts. Overall Thoughts This was a pretty short read. I’m a fast reader, so by sitting down and actually focusing on it, I managed to finish the entire book by the end of a single night. It’s a good, and very important story to tell, but I wanted so much more from the novel, just like I said before. It’s a bit short for a novel, and I don’t know how exactly I feel about that. I totally get that this is supposed to be representative of so many women’s experiences, but Ji-young just kinda comes across as a bit naive. And, perhaps, that’s the irony in all of this, that she noticed and saw that so many women weren’t getting to live the lives they truly deserved, but also continued to go down this path of a society built for men. It’s super depressing, just like life, to see her fall to the system at the end of the day without a fight. She does say she fought her husband against this, but I honestly would’ve preferred to see her keep fighting until the end. It’s an interesting and decent read, but I wouldn’t classify it as a really good one. It will, however, be a good case study novel for gender studies and history students. As a casual reader, I wouldn’t be like “hell yeah” to this novel, but instead I found the academic part of me more interested in the novel as a case study. Rating Follow me on Instagram or Goodreads below for more updates! This Korean bestseller chronicles the everyday struggle of women against endemic sexism. Its provocative power springs from the same source as its total, crushing banality in telling the story of Kim Jiyoung – whose name is the Korean equivalent of “Jane Doe” – Cho Nam-joo’s third novel has been hailed as giving voice to the unheard we meet Jiyoung, she is 33, with a one-year-old child. Her life is unremarkable, except that she has begun to take on the personalities of other people. During a visit to her in-laws, Jiyoung slips into her mother’s identity and speaks in a manner deemed inappropriate for her place in the age-based hierarchy of Korean society. Her father-in-law is outraged, thundering “Is this how you behave in front of your elders?”Jiyoung agrees to visit a psychiatrist, and his record of their conversations about her life makes up most of this slim novel. She was born when “checking the sex of the foetus and aborting females was common practice, as if daughter’ was a medical problem”. We see that though she has always played by the rules, she cannot win. “Jiyoung was standing in the middle of a labyrinth. Conscientiously and calmly, she was searching for a way out that didn’t exist.” The clinical, dispassionate third-person account, annotated by reports from newspapers and official demographic data, catalogues the systemic oppression she has faced. At school, boys eat first, and she suffers sexual harassment and victim blaming. In the workplace, she has first-hand experience of the gender pay gap “women working in Korea earn only 63 per cent of what men earn”. And while performing the uncompensated, costly work of motherhood, she is horrified to hear herself denigrated as a parasitic “mum-roach”.What does it mean to narrate a life in a strictly chronological fashion? The linearity of the account feels claustrophobic, with the case-study style objectifying Jiyoung and stripping her of her interiority. Cho’s formal excision of any sense of imaginative possibility is highly effective in creating an airless, unbearably dull world in which Jiyoung’s madness makes complete sense. Her derangement is the only way out of the cramped paradox of gender-based time passes, the novel shows how attitudes towards gender are entwined with socioeconomic issues. Cho spotlights the Korean financial crisis of 1997, after which increases in wage inequality and barriers to social mobility contributed to a sense of despair, fuelling misogynistic sentiments. Jiyoung’s life is also set against more positive developments, such as new legislation against gender discrimination – but the path to progress is serpentine. “The world had changed a great deal, but the little rules, contracts and customs had not, which meant the world hadn’t actually changed at all.”“When you girls grow up, maybe we’ll even have a female president!”, speculated Jiyoung’s mother to her young daughter. And indeed, when Kim Jiyoung was published in Korea in 2016, there was a female president Park Geun-hye, the daughter of military dictator Park Chung-hee. But Park Geun-hye adopted her father’s method of patriarchal authoritarianism. Under her leadership, gender inequality worsened, women took a disproportionate hit from the growing wealth gap and the number of sex crimes Geun-hye was eventually brought down by a huge corruption scandal that erupted in 2016, causing millions of Koreans to take to the streets calling for her impeachment. In May that year, a 34-year-old man murdered a random woman in a Seoul subway, stating that he did so because he felt “ignored” and “belittled” by women. The public outcry that followed this attack fused the widespread energy of change with a nascent popular feminist consciousness, taking root in the Korean version of Jiyoung’s publication during this seachange in mood could not have been more perfectly timed. The first Korean novel in nearly a decade to sell more than 1m copies, it has become both a touchstone for a conversation around feminism and gender and a lightning rod for anti-feminists who view the book as inciting misandry there was a crowdfunding campaign for a book called Kim Ji‑hoon, Born 1990, showing the “reverse discrimination” faced by men. The book has also touched a nerve globally a bestseller in China, Taiwan and Japan, it has been translated into 18 languages, in English by Jamie Chang, and adapted for character of Kim Jiyoung can be seen as a sort of sacrifice a protagonist who is broken in order to open up a channel for collective rage. Along with other socially critical narratives to come out of Korea, such as Bong Joon-ho’s Oscar-winning film Parasite, her story could change the bigger one. Well-intended feminist South Korean drama Kim Ji-young, Born 1982 is realistic and heart-breaking, but the slow-paced and tell-more-than-show narration could be disappointing to housewife in her 30s, Kim Ji-young Jung Yu-mi, is distressed and exhausted from taking care of the household and her young daughter, as well as fulfilling her society’s expectations of a married day when visiting her in-laws with her husband Dae-hyeon Gong Yoo, she suddenly acts and speaks like her mother by speaking against her mother-in-law, who exploits her and expects her to obediently follow her orders and do all the about his wife’s mental health, Dae-hyeon tries to search for information online and seek help from a psychiatrist, hoping to figure out what’s wrong with his around the mental struggles and life of Ji-young, female lead Yu-mi gives a consistently natural and convincing performance, accompanied by a professional with plenty of dialogue and some flashbacks, the lifelike movie is pretty straightforward and mostly saddening, with a few of good punchlines but also a couple of cliche scenes. But with everything either told or shown explicitly on screen, there’s a lack of subtleness and variety in the way the story is Addams Family review Charlize Theron and Oscar Isaac headline charming animated reboot about celebrating differencesWhile the director does a good job in reflecting and challenging the gender inequalities and prescribed gender roles observed in the South Korean society, there are moments where a couple of scenes - whose appearances are not clearly explained - seem almost a little too random and merely added for the sake of social by Cho Nam-joo’s best-selling novel of the same name, Kim Ji-young, Born 1982 is an average women- empowering story with a potential to be told with more care and up for the YP Teachers NewsletterGet updates for teachers sent directly to your inboxNicola Chan is a former Young Post reporter. A firm believer in education and self-care, she has a strong interest in writing about teenage psychology and mental health. She’s also constantly on the hunt for stories about inspiring students and campus events. She has a master’s degree in Comparative Literature. A story of Kim Ji-young, a young woman in her thirty's, discovering both the struggles and the strengths of being a woman. Starring- Jung Yu-mi and Gong Yoo. Directed by Kim Do-young Mar 29, 2023 • 3 min read Movie Kim Ji-young, born 1982 1982년생 김지영Director Kim Do-youngWriters Yoo Young-ah and Cho Nam-joo author of the novelCast- Jung Yu-mi, Gong Yoo, Kim Mi-kyung as Mi Sook Ji Young's mother, Gong Min-jeung and Kim Sung-cheol as Kim Eun-young and Kim Ji-seok Ji Young's sister and brother, Lee Bong-ryun and the movie-Kim Ji-young, born 1982 or 1982년생 김지영 is a 2019 movie adapted from the bestselling novel under the same name written by author Cho Ji-young, born 1982 is a story of Kim Ji-young, an ordinary woman in her 30's, who suddenly shows signs of being inhabited by women around her like her mother, her older sister, her best friend, and also talks about stories of people connected to her.*This review may contain spoilers. If you have already watched the movie, please continue reading. If you haven’t watched the movie yet, you can still continue reading or you can come back to the review later.What I loved about the movie-The movie is adapted from the novel and they have presented it beautifully. The movie is fabulously made. It's every woman's story, isn't it? All of ours. My sister suggested that I read this book and I loved it with all my heart. And the movie, I loved it just as much. All the additions in the movie blended seamlessly into the story. The movie does justice to the book. I wouldn't say tribute but the book and the movie are a gift to the women around the are addressed as someone's mother, someone's wife, someone's daughter, etc. We women want to be all that and someone else, someone much more. We want to be ourselves and feel enough. We do not need to be embarrassed, do not need to feel less, and do not need to feel like we owe our lives to anyone we be proud to to be born as Women? Shouldn't others be proud that we were born as a woman too?The world convinces you into thinking that you are not enough, that you need to compromise for someone else's benefit. If I continue to live the way others expect me to, I would feel like I am living in someone else's body, living someone else’s have a lot of empathy for each other. I watched an advertisement a while ago where two women are seen complementing each other out of the blue. A kid watching this entire scene asks them why they were doing so, and one of the women replies by saying that it's us women who need to uplift each the Characters, the Actors, the Writer and the DirectorThe MVPs of the book are Cho Nam-joo, the author and all the women characters that she poured so much life into. And the MVPs of the movie are director Kim Do-young and all the women characters. Each woman in the movie has so much to tell and so much to teach. Jung Yu-mi as Kim Ji-young and Kim Mi-kyung as Mi-sook are so pure and raw. Movies like this prove how extraordinary these women are as actors and as individuals in general. They are so imperfectly perfect in their portrayals, of the lives and the struggles of all the women out there and they are the best at representing are a few changes in the movie compared to the movie. Gong Yoo's character Dae-hyun is extremely supportive in the movie, in spite of all the inhibitions he holds and all the prejudices he has. Dae-hyun is willing to change himself and his thinking and support his wife and her growth despite the struggles they are going to face together. Gong Yoo is admirable in his portrayal of movie showed a change in the attitude and behaviour of Ji-young's father and brother and it is such a wonderful addition as movie consists of a phenomenal star cast and each and every actor is Kim Do-young- I do not have enough words to express my gratitude to Kim Do-young for creating this beautiful piece of art. It takes a lot of courage to take up a topic as sensitive as Kim Ji-young and put it out into the world. She is representing all the women and the movie is like a gift from a strong, talented, brave and hardworking woman to the women of the world. I am looking forward to more amazing and extraordinary work from director Kim Do-young because the world needs them more than I can all the Women of the world,Thank you for teaching me that Women are amazing human beings. Thank you for teaching me that Women are strong, independent and courageous and when they are supported, uplifted, encouraged and empowered, they are capable of greater you are a book lover please do read the book and also watch the movie. But if movies are your thing, I highly recommend that you watch this astounding creation.

kim ji young born 1982 review